4/15/2023 0 Comments Clarence white eight miles high![]() It’s a little dishevelled, but that’s the way rock and roll is supposed to be. … perhaps in part due to the assassination of JFK’s brother Robert, less than a year earlier, as he campaigned for President.īehind McGuinn and White, both guitars drive a little harder on So You Want to be a Rock and Roll Star to make it work like the early classic it is. He Was a Friend of Mine must have been played 100 times, but still aches like the painful moment after the Kennedy assassination for which the song was written. Tambourine Man and Eight Miles High are required listening, and the shady hazy transitions between the songs are deliciously cool. Of course, it’s always nice to hear the familiar tunes, but they feel somewhat perfunctory on the album. What good would it do me, I know what I’ll findĪn empty bottle, a broken heart, and you’re still on my mind.”Ī taste of the classic psychedelic Byrds sound comes in the form of a medley, a popular way of squeezing in fan favourites in the 60’s. One more I keep saying and then I’ll go home “The jukebox is playing a honky tonk song The tune is loaded with country twang and suitable lyrics. The band then segues right into the George Jones penned You’re Still on My Mind. Setting the mood for the countrified show, the album opens with the brief instrumental Nashville West. The 1969 line-up included mainstay leader Roger McGuinn, ace guitarist Clarence White, bassist John York and drummer Gene Parsons. Musically, that’s a major compliment.Ĭoming soon after the release of their classic “Sweetheart of the Rodeo,” this release is much rougher around the edges, perhaps a by-product of frequent touring. Late in the decade, they had gone through several personnel changes, and their music was becoming more hard-edged, perhaps a little more cynical, like the decade that wore on. Less than five years out from their first big hit “Mr Tambourine Man” in 1965, the band was evolving its sound. “Live at the Fillmore, February 1969” is a good study of a band in transition – from their popular folk rock 60’s sound toward a country-rock style that would be hugely influential for artists who followed. The Byrds: Live at the Fillmore, February 1969Ī new live release from The Byrds shows a band in fine form at mid-career.
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